Visual Editions is a London-based book publisher. They believe "that books should be as visually interesting as the stories they tell; with the visual feeding into and adding to the storytelling as much as the words on the page."
Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman
“A lot of nonsense is written about Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman – and that’s just as well. It would be depressing in the extreme if this triumphant tangling up of the threads of reason with the strands of linear narrative were to admit of any effective unravelling; which is as much to say, that were you to find yourself picking apart a lucid, non-discursive exposition of the novel – its themes, its techniques, its plot – you would know that you had finally gone mad.”
Jonathan Safran Foer, Tree Of Codes
“Revolutionary” – New York Times
“Very, very cool…delightfully tactile” – Vanity Fair
“the most potent work of art that Jonathan Safran Foer has yet produced.” – Michel Faber, The Guardian
“a true work of art” – Erica Wagner, The Times
“Jonathan Safran Foer, deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers that it actually has a body.”–Olafur Eliasson
"Our early conversations with Jonathan Safran Foer about Tree of Codes started when Jonathan said he was curious to explore and experiment with the die-cut technique. With that as our mutual starting point, we spent many months of emails and phone calls, exploring the idea of the pages’ physical relationship to one another and how this could somehow be developed to work with a meaningful narrative. This led to Jonathan deciding to use an existing piece of text and cut a new story out of it. Having considered working with various texts, Jonathan decided to cut into and out of what he calls his “favourite book”: The Street of Crocodiles by Bruno Schulz.
As Jonathan began to carve out his story, we started doing our production homework and literally got turned down by every printer we approached – their stock line being “the book you want to make just cannot be made”. Thankfully, we found Die Keure in Belgium who relished the challenge of making a book with a different die-cut on every page.
Over a year of writing, cutting and proto-typing later, comes Tree of Codes, a haunting new story by Jonathan Safran Foer cut from Bruno Schulz’s words.
The book is as much a sculptural object as it is a work of masterful storytelling: here is an “enormous last day of life” that looks like it feels."
Marc Saporta, Composition No.1
illustrated by Salvador Plascencia
"VE3 is a re-imagining of a book originally published in the 1960s. The book is the first ever “book in a box”, called Composition No. 1 by Marc Saporta. When we say book in a box we mean: quite literally a book that comes in a box with loose pages. Each page has a self-contained narrative, leaving it to the reader to decide the order they read the book, and how much or how little of the book they want to read before they begin again. In so many ways, Composition No.1 was published ahead of its time: the book raises all the questions we ask ourselves today about user-centric, non-linear screen driven ways of reading."
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