Friday, February 12, 2010
NEW ARRIVALS: Art & Photography
Robert Frank, Portfolio
Paperback in printed envelope, $20.00
When Robert Frank immigrated to New York from Zurich in 1947, having apprenticed with commercial photographers in his hometown, the aspiring young photographer brought along his portfolio to help him secure employment. Portfolio is the facsimile version of this fascinating object. Containing Frank's earliest original photographs as well the work of other photographers which he had retouched, the portfolio presents images of rural life in Switzerland alongside alpine landscapes, cityscapes and still-lifes. This slim, beautifully printed volume contains the seeds of a career of such scope and influence that even the ambitious 23-year-old Robert Frank could never have anticipated it.
Sophie Calle, Did You see Me? (M'as-tu vue?)
"Since the late 1970s, Sophie Calle has made work that investigates provocative and often controversial methods for confronting her emotional and psychological life. She is well-known for her sleuth-like explorations of human relationships, which led her to follow a stranger in the streets of Venice and document his every move, or to find work as a hotel chambermaid in order to photograph the belongings of the hotel’s guests." -Paula Cooper Gallery
This book presents Calle's best-known works, including The Blind, No Sex Last Night, The Hotel, The Address Book and A Woman Vanishes, as well as lesser known and earlier projects that have largely escaped the public eye. The book also includes diary excerpts and video stills, along with three critical essays, a revealing interview with the artist and a dialogue with fellow artist Damien Hirst.
Pictorial Webster's: A Visual Dictionary of Curiosities
Featuring more than 1,500 engravings that originally graced the pages of Webster's dictionaries in the 19th century, this volume is an irresistible treasure trove for art lovers, designers, and those with an interest in visual history.
Annotation: Featuring more than 1,500 engravings that originally graced the pages of Webster's dictionaries in the 19th century, this volume is an irresistible treasure trove for art lovers, designers, and those with an interest in visual history.
Paul Outerbridge: Command Performance
Paul Outerbridge Jr. (American, 1896-1958) burst onto the photographic art scene in the early 1920s with images that were visually fresh, technically adept, and decidedly Modernist. He also applied his talent for composition to the commercial world, introducing an artist's sensibility to advertisements for men's haberdashery, glassware, and JELL-O® in magazines such as Vogue and Vanity Fair. An early master of the technically complex carbro color process, he used it to photograph nudes, often shown with a variety of props—images that skirted the limits of propriety in their day.
This catalogue is produced for the first exhibition of Outerbridge's work since 1981, held March 31 through August 9, 2009, at the J. Paul Getty Museum. It brings together one hundred photographs from all periods and styles of the photographer's career, including his Cubistic still-life images, commercial magazine photography, and nudes. The book includes an essay by the curator and a chronology of the artist's life and work.
Eva Hesse, Datebooks, 1964/65: A Facsimile Edition
In 1964--65, Eva Hesse lived with her husband, sculptor Tom Doyle, in Kettwig-on-the-Ruhr, Germany, at the invitation of a European art collector. During this time, as she did throughout most of her life, Hesse kept diaries and made extensive notations in datebook calendars. These two datebooks, published for the first time as facsimile editions, are accompanied by a third volume that includes an essay on their significance in the artist’s career as well as full transcriptions and annotations.
The 1964/65 datebooks impart astonishingly rich personal details about the artist’s life: whom she met and where she traveled, which books she read, and which films and exhibitions she saw and what impression they made on her. Hesse’s notations also reveal invaluable insights into the German art scene of the mid-1960s, her transition from a painter to a sculptor and her often conflicted artistic ambitions, the stresses of her marriage, and the difficulties of returning to Germany, the country that in 1938 she fled with her family to escape Nazi persecution.
Robert Frank, Pull My Daisy (Text by Jack Kerouac)
First take best take, to paraphrase Allen Ginsberg, was for years the ethos presumed to have governed the making of Robert Frank and Alfred Leslie's classic Beat Generation film Pull My Daisy (1959)--until Leslie revealed in 1968 that its scenes had been as scripted and rehearsed as any Hollywood movie. Even Jack Kerouac's famous voiceover narration, which careens wonderfully in and out of sync with the action, was actually composed in advance, performed four times and then mixed from three separate takes. But the film remains a supreme document of Beat Generation energy at its peak, with several of its key players starring: Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo Frank (Robert Frank's then-infant son). Based on an incident in the life of Beat muse Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife has invited a respectable bishop over for dinner at their Bowery apartment. The brakeman's "Beatnik" friends crash the occasion, and the playful provocations ("Is baseball holy?") they put to the bishop ("Strange thoughts you young people have!") baffle the clergyman's propriety and expectation of a "civilized" evening. This book interweaves the script of Kerouac's narration with film stills, and also includes a 1961 introduction by Jerry Tallmer.
Slide Show: The Color Photographs of Helen Levitt
World-renowned for her iconic black-and-white street photographs, New York City’s visual poet laureate Helen Levitt also possessed a little-known archive of color work, which was been collected for the first time in Slide Show, her third powerHouse Books monograph.
In 1959, and again in 1960, Helen Levitt received grants from the Guggenheim Foundation to photograph in color on the streets of New York, where she had photographed two decades earlier in black-and-white. But tragically, the best of these pioneering color pictures were stolen from her apartment in 1970 and she had to start over again. In 1974 the new work was shown as a continuous slide projection at New York’s Museum of Modern Art—an early example of a slide show presentation by a museum and one of the first exhibitions of serious color photography anywhere in the world.
Slide Show presents more than one hundred photographs—including eight surviving images from the 1959–60 series—more than half of which have never been exhibited or published before. This impressive monograph is a worthy successor to her magnum opus, Crosstown (powerHouse, 2001), which included the largest collection of her color pictures to date, and to her more intimate volume of black-and-white work, Here and There (powerHouse, 2004), which presented more than eighty “unknown” Levitts taken over six decades.
“At least a dozen of Helen Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know. In their general quality and coherence, moreover, the photographs as a whole body, as a book, seem to me to combine into a unified view of the world, an uninsistent but irrefutable manifesto of a way of seeing, and in a gently and wholly unpretentious way, a major poetic work.”
Danny Lyon's The Bikeriders
The Bikeriders -- In 1968, just before Easy Rider roared its way into American consciousness, Danny Lyon published The Bikeriders. A seminal work of modern photojournalism, this landmark collection of photographs and interviews documents the abandon and risk implied in the name of the gang Lyon belonged to: the Chicago Outlaw Motorcycle Club. With images and interviews that are as raw, alive, and dramatic today as they were three decades ago, this new edition includes startling new images: 15 additional black-and-white photographs and 14 color prints--long thought missing--of works originally published in black-and-white. With a new introduction by the author, The Bikeriders rides again, capturing like never before the dawn of the counterculture era.
Man Ray: Trees + Flowers - Insects Animals
Locked in enormous bank vaults and largely removed from public scrutiny for more than a decade, the little known collection of the Man Ray Trust comprises more than 4,000 works by Man Ray. The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings, street scenes, and the objects from which he drew inspiration for other artworks, the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process.
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